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Handel

1. Sinfonia (Overture)

Pika3323

2:37	Est. Play Time
98	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I	24	0	8	7	98%
Violin II	22	0	6	8	96%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I	24	8	7	98%
Violin II	22	6	8	96%
Viola	19	5	8	93%
Cello	22	7	7	92%

Handel, G.F., O Sing unto the Lord a New Song

pental

3:11	Est. Play Time
60	Measures
	1,136Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	35	9	7	99%
	27	19	7	7	93%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	35	9	7	99%
	27	19	7	7	93%
Organ	27	0	5	5	100%
Oboe	17	0	5	7	98%
Violino I	22	0	6	7	98%
Canto	15	0	4	8	95%
Bassoon	17	0	4	5	93%
Violino II	25	0	8	6	93%
Violoncello	21	0	5	5	93%
Contrabass	20	0	4	5	92%
Basso	16	0	5	8	90%
Tenore	16	0	6	7	78%

HWV7A2N4b - "Il Tricerbero humiliato"

edward.maurath

3:16	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	21	6	9	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	39	6	9	97%
	26	21	6	9	100%
Contrabasses	21	0	5	9	100%
Violins 1	21	0	4	9	100%
Violins 2	19	0	4	9	100%
Violoncello	21	0	5	9	100%
Violoncellos	21	0	5	9	100%
Rinaldo	17	0	4	8	79%
Viola	10	0	1	6	25%

Messiah| No.22: Behold the Lamb of God

Pete Alan

3:12	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	16	0	3	8	100%
Violin I	17	0	3	7	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	16	3	8	100%
Violin I	17	3	7	100%
Violin II	20	4	8	100%
Double Bass	16	3	7	97%
Alto	13	3	6	81%
Soprano	13	3	7	81%
Bass	15	3	7	75%
Tenor	13	4	6	75%

Händel - Largo: "Ombra Mai Fu", for Flute and Cello

Hyeon Kim

2:36	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	18	59	3	8	100%
	15	29	0	3	98%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp	18	59	3	8	100%
	15	29	0	3	98%
Cello	17	0	2	8	98%
Flute	13	0	2	8	58%

Messiah| No.17: Glory to God

Pete Alan

2:20	Est. Play Time
57	Measures
	1,512Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	22	3	3	8	98%
Violas	15	0	1	8	98%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins	22	3	3	8	98%
Violas	15	0	1	8	98%
Basses	16	0	1	8	91%
Cellos	15	0	1	8	91%
Tenor	11	0	0	8	65%
Alto	7	0	0	8	54%
Soprano	8	0	0	8	49%
Bass	11	0	0	8	47%

HWV7A2N20a - "Ah! crudel, il pianto mio deh!"

edward.maurath

2:50	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	20	0	3	10	100%
Contrabass Solo	17	0	3	6	100%
Oboe	17	0	3	9	92%
Harpsichord	20	29	3	7	85%
	17	7	3	6	88%
Contrabasses	16	0	3	6	88%
Violas	12	0	3	7	88%
Violins 1	19	0	4	7	88%
Violins 2	15	0	2	6	88%
Violins 3	13	0	1	6	88%
Violoncello Continuo	17	0	3	6	88%
Violoncellos	16	0	3	6	88%
Violoncello	18	0	3	6	85%
Almirena	13	0	3	8	54%

Orchestral Suite No.1 - in E Minor: Overture

hannahsolthin1

3:05	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe I	21	0	7	9	99%
Oboe II	16	0	5	9	95%
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe I	21	7	9	99%
Oboe II	16	5	9	95%
Violin I	19	5	9	92%
Violin II	19	5	9	92%
Violas	16	2	8	89%
Fagotto.	19	3	8	88%
Violoncello	18	3	8	84%
Continuo	19	3	8	82%
Flute	20	5	9	71%

HWV58A2N7 - "Oh sleep, why dost thou leave me?" E Major

edward.maurath

2:40	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	15	34	1	8	96%
	16	13	0	6	96%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	15	34	1	8	96%
	16	13	0	6	96%
Cello	16	1	0	6	96%
Semele	14	0	3	10	79%

HWV8A1N15 - Aria for Dorinda "Mi lasci, mi fuggi" (1712 only)

edward.maurath

2:58	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	19	24	6	8	97%
	22	28	5	6	100%
Violoncello (Continuo)	19	0	3	6	100%
Alto as Dorinda	15	0	4	8	78%
Contrabasses	8	0	0	3	8%
Viola	10	0	0	3	8%
Violins I	11	0	0	5	8%
Violins II	10	0	0	3	8%
Violoncellos	8	0	0	3	8%